|Comments and critiques are always welcome.|
Before you attempt to thank me for favorites, watches, and llamas, take a moment to think about all the time that is about to slip through your fingers and mine. Wouldn't your time be better spent making a new deviation for me to favorite? And wouldn't my time be better spent sending out MORE favorites and miscellaneous love?
I want you all to know that I appreciate your gratitude, as well as the favorites, watches, llamas, and love that you send my way. You're all so Very Awesome, don't let anyone tell you different!
Art History: Greek TragedyWhat is "Tragedy"?Art History: Greek Tragedy by PirateLotus-Stock
Tragedy is a genre most people are familiar with. Hamlet is a tragedy. Movies labelled as ‘tear jerkers’ are often tragedies. If you pare it down enough, it can be as simple as 'a story where a lot of bad things happen to the protagonist'. This would fit almost every tragedy ever written, but it's not very helpful for understanding the complexities of the genre, or what it contributes to storytelling. There are almost countless sub-genres of tragedy, and every one has specific rules and tendencies that further define it from 'tragedy' as a whole. This is a construct of ages of evolution in the genre, which started, alongside comedy, with the Greeks.
What is 'Greek' tragedy?
Art History: Celtic Art In Early HistoryArt History: Celtic Art In Early History by KovoWolf
Celtic Art - A Look In History
Written by KovoWolf for projecteducate
There is something so unique and so humbling about Celtic art that we can immediately recognize it when we see it, though it is difficult to truly describe as a single 'medium'. With intricate designs, swirls, and beautiful knotwork however Celtic art is also a medium that you can recognize when you see it. Because Celtic art covers a huge expanse of time, geography and throughout various cultures, it can present some difficulty when trying to term or define what Celtic art truly is.
Celtic art and culture date back as far as the 8th century B.C generally refers to the culture of the European Iron Age from around 1000 BC onwards, until the conquest by the Roman Empire. The Early Medieval art of Britain and Ireland, which produced the Book Of Kells and other masterpieces that are well known today and can be associated with "ce
Byzantine ArtSome history…Byzantine Art by PirateLotus-Stock
Byzantium was the name given to the Eastern part of the Roman Empire. Known by many other names, such as Romania, it was born under the ruling of Diocletian when he divided the Roman Empire in two parts: Western and Eastern, in 286. It stretched roughly through the East of Italy, Greece and the Anatolian Peninsula – in some periods covering as far as the Northern coast of Africa and South Andalusia. It endured attacks from Barbarians, Sassanids, Persians, Arabs and Slavics until the famous falling of Constantinople in 1453.
Lasting some 1000 years more than its twin Western Roman Empire, Byzantium retained and developed the Greco Latin heritage with some aspects of its own , and always dreamt of restoring the original universality of the (whole) Roman Empire.
Paleo byzantine period (324- 7th century)
Roman tradition is followed in the arts during these first yea
I approach my art as a balancing act. It's a way for me to counteract tendencies within myself towards pessimism, while avoiding the territory of blind optimism. It's about understanding and accepting all the beauty and ugliness that exists in life and about determining where to place reverence and ridicule appropriately. It is one part therapy, one part escapism, and one part confrontation. It's a personal journey of self-improvement both as an artist and as a person. The act of creation is, for me, a cross between what I imagine religious ecstasy must feel like and what it must feel like to remove your own fingernails and toenails with pliers and dull spoons. There is both pleasure and pain, inspiration and frustration. It is a journey toward an impossible goal of perfection, but a journey that needs to be attempted to avoid stagnation and death.|
I mainly choose themes, materials, and techniques based on whims and what interests me in the moment. However, humour and nature play large, and continuing, roles in my art. Generally, I rely on "out-of-the-blue" inspiration, or ideas from cultural influences that either mesh with, or contradict, my personal beliefs. If it's an idea that makes me laugh, I usually feel it's worth following through on. I have returned to creating art after a long break and feel there is so much to catch up on that I am currently in an unfocussed stage where I want to try all mediums and techniques. Most often, my tendency is to turn to the digital format (Corel Painter 12) due to the ease of preparation, but I have a deep love and respect for traditional formats of all kinds. I've particularly come to appreciate the boldness and vibrancy of oil pastels. And though I have yet to use it, oil painting is the one medium that holds the greatest appeal for me as it seems to symbolize the professional and historical qualities that I think of when I consider the term: "Art."
My current work is focused more on colour, and positivity than my early works. It is a response to the negative attitudes of the first half of my life. I am attempting to improve my understanding of the basic elements of visual art, and improve my techniques beyond a prior reliance on cartoonist styling. I don't feel that any of my works can be considered truly finished. They are always open to new interpretations and expressions. As I grow as an artist I want to feel free to adapt past works to reflect how I currently feel about their content. And I want others to be able to use them as branching points to express their views, one of the reasons why I include most of my work under a Creative Commons license.
For more info on Creative Commons: creativecommons.org/
For tips on writing your own artist's statement: www.mollygordon.com/resources/…